Creating a visual language for the movie.Incorporating stop motion into a live-action movie.Using a rotating camera around the subject.Blackmagic's latest cloud tools -Cloud Pod, Cloud Store Mini, and Proxy GeneratorĬinematographer Bianca Cline explains how she shot the feature film Marcel The Shell With His Shoes On which is now playing in theaters.
WGA arbitration to save your projects from plagiarism.Not getting worried about your idea being stolen - it's much cheaper to buy it from you than to steal it.Debunking the myth that you shouldn't talk about your project with anyone.The idea of putting your vision on the market.Soft skills you can develop to be a good filmmaker.Filmmakers are buying bots to gain attention on social media.The phenomenon of creating a trolley news cycle by filmmakers.latest cloud storage tools by Blackmagic. Visit /adchoicesįilmmakers creating trolly news cycles and buying bots to gain online attention… Hollywood myth about keeping your project a secret to prevent it from being stolen. Get your questions answered on the podcast by emailing more about your ad choices. Why it’s time to make the switch to Blackmagic Design’s DaVinci Resolve 18.The philosophy behind “Do nothing, stay ahead” and what Napoleon’s inbox would look like today.Why it’s okay to be picky about who gives you notes.Recognizing if you’re truly listening to feedback vs.Suggestions for gut-checking yourself in the editing process.What editorial perspective entails and the emotional rollercoaster of editing.
I used data Import, then ran the clips through 5DtoRGB.How do you maintain perspective as an editor? Can you really do nothing to get ahead? Have you experienced the runner’s high of editing? Plus DaVinci Resolve 18 and killer new cloud tools… How does this footage look to the trained eye? I didn't see any jaggies and I've noticed some very bad jaggies on some other C100 footage that is considered very good on Vimeo. Here is something a shot yesterday in my back yard. Do you think there is a difference in the quality of the image doing it this way rather than a card reader? Hi Dave, I've always used the USB cable on my 5D3 to import the footage. If however you ever seen any interlace type artefacts in the FCP viewer then check the progressive settings in the info panel. If the workflow you are using works for you and when you check the info panel in FCPX it says progressive then you are good to go.
Several apps, including ClipWrap and maybe 5DtoRGB do this change for you when re-wrapping, but it's a stage I usually don't bother with because it's not required since I can do everything inside FCPX. If you import from the AVCHD structure then FCPX (and most other NLEs) see the footage as interlaced not progressive, so you ned to click on the clip in the event browser then in the inspector (cmd+4 to open) in the info tab change it to progressive. I always import from the card and not via USB.